Characteristics of You Know Im Up to No Good by Amy Winehouse
This story is part of the book:
Mama Mia Let Me Go!
A journey through the nearly intriguing lyrics and stories in stone music
Buy information technology on Amazon
Exercise y'all retrieve Amy Winehouse when she was alive? Every day, dozens of virtual bouquets of flowers are placed in the comments under her songs online, the elegies that are periodically published on the Net weep out their anguish at the fate that stopped a bright artist in her tracks. But the eccentric daughter herself, her unique, distinct vox; do you remember them?
I listened to this vocal again recently, quite by risk. The song was released and constitute popularity in 2007, only I never listened to it with any real attending. Perhaps I had been negatively influenced past the storyline that ultimately led to her premature death. But I clearly didn't realise how relevant it was. Y'all Know I'1000 No Good, waiting for me amidst my Youtube recommendations, stands out from the pack with the intensity of its feelings.
The album from which it comes, Back to Blackness, had launched Amy to huge success, lauded as being among the greatest British musicians. She became the kickoff British artist to win v Grammy Awards in one dark on February 10th, 2008, when the album won All-time Pop Vocal album. With a sale of 3,580,000 copies in the UK alone, it is at present the 2nd best-selling album in the country in the 21st century, and the thirteenth ever.
At that time, Amy met Blake Fielder, the man who would marry her, and with whom she was so deeply in beloved – but who she betrayed. Information technology happened after a long battle with eating disorders and nights ruined past the excesses. "You Know I'1000 No Skilful", she writes in the message bottled within the anthology, which also contains Rehab, her well-known refusal to accept handling for her booze habit.
But nosotros're not here to focus on the story of Amy and her early on expiry. Instead, let's investigate the vocal that she gave us, an example of dazzler and immortal sensibility. "I'm No Proficient" reflects the expose and perhaps even her last alcoholic relapse. "I'm sorry, I'g trying hard", she seems to tell us, "but I told yous I am similar this." Everyone wanted a amend Amy. Perchance what she was asking was just to exist loved every bit she was.
Encounter you dowstairs in the bar and hurt,
Your rolled up sleeves in your skull t-shirt,
You lot say 'What did you practice with him today?',
And sniffed me out like I was Tanqueray
A few details are plenty to recreate the scene: he meets her to talk virtually what happened. He tries to keep calm because he doesn't want to get carried abroad by her latest betrayal. Just it's not easy, and he tries to smell her, to check for the smell of another, as if smelling a bottle of gin to check that it'due south pure. And she knows how he feels.
'Crusade you lot're my fella my guy,
Hand me your Stella and fly,
By the time I'one thousand out the door,
You lot tear men down like Roger Moore
She doesn't desire to show that she is distressing or weaken herself. He acts like James Bond: stolid and collected; and she every bit a lover who will non apologise for anything. The asking for forgiveness emerges only afterwards, only even then, it'south non explicit.
I cheated myself,
Like I knew I would,
I told you I was trouble,
You know that I'g no good
"I'm non a good girl, I'thousand non similar you expected me to exist": she can't ask for forgiveness, she doesn't say she'due south pitiful. Instead, she tries to reason that the just person she has cheated, is "herself". She loves him, merely she feels that she is the one who has been screwed.
Upstairs in bed with my ex boy,
He's in a place but I can't get joy,
Thinking on yous in the terminal throes,
This is when my buzzer goes,
Run out to meet you, chips and pitta,
You say 'when we married',
'cause yous're non bitter,
'There'll be none of him no more than',
I cried for you on the kitchen floor
She's really in dear, she writes in the second verse: Yeah, she wanted to betray him, but even at the moment of betrayal, she was thinking of him. And without giving any explanation, she runs to meet him.
The very side by side scene, there they are, chatting and eating (the detail of the chips creates, with very few words, the notion that it'southward ane of their regular conversations). She knows who she wants, and she is grateful that he didn't leave. They are back together; they can leave this incident behind.
The singer-songwriter is wonderful at creating a climax with music and words, and she saves it for the last stanza, making it even more empathetic. She thinks dorsum to her conversations, afraid that he will alter his mind, and sad for having disappointed him again.
Sweet reunion Jamaica and Spain,
We're like how we were again,
I'1000 in the tub, you on the seat,
Lick your lips as I lather my feet,
And then you detect like rug burn,
My tummy drop and my guts churn,
You shrug and it'southward the worst,
Who truly stuck the pocketknife in start
Jamaica and Kingdom of spain – smoke and alcohol. She takes a bath he is with her. Everything is fine, merely he sees the tell-tail signs and senses that it has happened again. Equally if the temperature has suddenly plunged, the 2 terminate talking. One time again, he says nothing; he doesn't disclose what he thinks. He's as proud as she is, wounded past the deliberate prove of indifference. Information technology was all right, just now it's over. Who'due south pain who at present?
It is a story of pride. It is the stream of consciousness of a girl who keeps her fears locked away and is unable to apologise. But she'southward asking to be loved. The words we don't say are oftentimes the virtually important; the phrases that are stuck between the heart and the throat, are oftentimes the hardest to express.
Even if I can't say what I should, the lyrics seems to say, please sympathize. Fifty-fifty if I can't apologise, forgive me. I am likewise the one who pursues you lot, request that we stay together; the one who smiles when you make plans for usa; the one who is afraid of being ameliorate.
Behind a mask that wants to be strong, a request for forgiveness and help is subconscious. I betrayed you simply I ran to you lot immediately: don't leave me, assistance me change. Loving and forgiving is not easy, and it is even more difficult to let yourself be loved and forgiven, because information technology is difficult to accept such magnanimity. But at the cease of the day, what remains is the hope of being rescued and welcomed.
Amy comes back, every time, with a bag of chips or a canteen of beer. She has no words to say; she cried in secret. She lets him take her back, she lets him forgive her. She wants to be helped to alter, even if she will so experience indebted afterwards. Maybe that's what love really is: the feeling of being incorrect, accepting that we are not perfect, then starting over over again, together.
This story is part of the book:
Mama Mia Let Me Become!
A journey through the about intriguing lyrics and stories in rock music
Buy it on Amazon
Source: https://auralcrave.com/en/2018/02/09/you-know-im-no-good-amy-winehouse-and-that-fear-to-let-love/
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